The insatiable Don Giovanni is not picky: anyone will do, from Donna Elvira to her maid and the bride at a country wedding. But when one of his conquests ends in murder, he sets off a chain of events that takes him forever closer to his bitter fate. For the first time, Prague’s Estates Theatre, where Don Giovanni premiered some 230 years ago, calls on a director from overseas to stage Mozart’s opera. Will Alexander Mørk-Eidem’s new production break with its long tradition of the famous rake’s last day? Is his Giovanni an incorrigible slave to his instincts? Is he a provocateur? Or a mere catalyst around whom Mozart thoroughly depicts the constantly changing universe of female emotions?